To perform it, start to finish, with only one rehearsal, in front of an audience of nearly 8,400 fans would be nerve-wracking for even the most seasoned and accomplished musician. “Quadrophenia,” meanwhile, is the most ambitious and challenging work The Who ever produced - a 17-song rock opera that covers a broad range of dynamics and styles, from rock, blues and funk to folk, country and R&B. Had the set list included “Substitute,” he would have brought a whole new meaning to the song. True to Townshend’s words, Devours was indeed the hero of the evening. You won’t know the difference (between his drumming and Starkey’s), but I will.” “We nearly didn’t do this show,” Townshend told the audience at the start of the slightly delayed concert. On Tuesday, after longtime Who touring drummer Zak Starkey suffered a pulled tendon, Devours was hastily brought in to do a two-hour rehearsal of The Who’s epic 1973 “Quadrophenia” double-album, which lasted more than 90 minutes when performed live a few hours later at Valley View. The key difference is that, in 1973, Moon (who died in 1978) had performed most of The Who’s “Quadrophenia” double-album live at the Cow Palace before he collapsed during “Won’t Get Fooled Again,” that show’s first encore. In 1973, it was Scott Halpin, then only 19. On Tuesday, that man was Long Beach drummer Scott Devours, 46, who in 2011 toured as a member of Who singer Roger Daltrey’s side band.
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